“A Paradox, the doughnut hole. Empty space, once, but now they've learned to market even that. A minus quantity; nothing, rendered edible. I wondered if they might be used-metaphorically, of course-to demonstrate the existence of God. Does naming a sphere of nothingness transmute it into being?”

Canadian novelist and poet of the late 20th and early 21st centuries, she is best known for her dystopian fiction, particularly *The Handmaid’s Tale*, which explores themes of oppression, resistance, and the fragility of power. Her work also spans speculative fiction, literary criticism, and environmental commentary, often blending sharp social observation with poetic precision.