War Quotes

“There, conspicuous in the light of the conflagration, lay the dead body of a woman—the white face turned upward, the hands thrown out and clutched full of grass, the clothing deranged, the long dark hair in tangles and full of clotted blood. The greater part of the forehead was torn away, and from the jagged hole the brain protruded, overflowing the temple, a frothy mass of gray, crowned with clusters of crimson bubbles—the work of a shell.The child moved his little hands, making wild, uncertain gestures. He uttered a series of inarticulate and indescribable cries—something between the chattering of an ape and the gobbling of a turkey—a startling, soulless, unholy sound, the language of a devil. The child was a deaf mute.Then he stood motionless, with quivering lips, looking down upon the wreck.”

“The first time it was reported that our friends were being butchered there was a cry of horror. Then a hundred were butchered. But when a thousand were butchered and there was no end to the butchery, a blanket of silence spread. When evil-doing comes like falling rain, nobody calls out "stop!"When crimes begin to pile up they become invisible. When sufferings become unendurable the cries are no longer heard. The cries, too, fall like rain in summer.”

“Peace in the Middle East isn't going to be created by another war or violent act on the other side.”

“The chief fruit of the First World War was the Russian Revolution and the rise of Communism as a national power.”

“To a happy war!' laughter echoed with all the insane glee of an army of psychopaths.”

“I have always lived in Amsterdam. During the war, we inhabited the Rivieren neighborhood where many Jews lived at the time. Our downstairs neighbors were Jews, and there were also Jews a few houses from us. We saw how they were rounded up and taken away. That made a very great impression on me.”

“This is Communism's view of war. War is necessary. War is an instrument for achieving a goal.But unfortunately for Communism, this policy ran up against the American atomic bomb in 1945. Then the Communists changed their tactics and suddenly became advocates of peace at any cost.”

“But my point is these Civil War songs were gruesome. The hatred that's so bad in this country today, and for the past 10 or 15 years, bad as it is, is nothing compared to the kind of things people would write down and sing back in the Civil War.”

“Rising up, rising down! History shambles on! What are we left with? A few half-shattered Greek stelae; Trotsky's eyeglasses; Gandhi's native-spun cloth, Cortes' pieces of solid gold (extorted from their original owner, Montezuma); a little heap of orange peels left on the table by the late Robespierre; John Brown's lengthily underlined letters; Lenin's bottles of invisible ink; one of Di Giovanni's suitcases, with an iron cylinder of gelignite and two glass tubes of acid inside; the Constitution of the Ku Klux Klan; a bruised ear (Napoleon pinched it with loving condescension)... And dead bodies, of course. (They sing about John Brown's body.) Memoirs, manifestoes, civil codes, trial proceedings, photographs, statues, weapons now aestheticized by that selfsame history - the sword of Frederick the Great, and God knows what else. Then dust blows out of fresh graves, and the orange peels go grey, sink, wither, rot away. Sooner or later, every murder becomes quaint. Charlemagne hanged four and a half thousand "rebels" in a single day, but he has achieved a storybook benevolence. And that's only natural: historiography begins after the orange has been sucked,; the peeler believes in the "great and beautiful things," or wants to believe; easy for us to believe likewise, since dust reduced truth and counterfeit to the same greyness - caveat emptor. But ends remain fresh, and means remain inexplicable. Rising up and rising down! And whom shall I save, and who is my enemy, and who is my neighbor?”

“And, gentlemen, they have not yet done so, and it is quite clear that no Americans, no people in the world probably, are going to war with the Soviet Union.”

“Yea, and if some god shall wreck me in the wine-dark deep,even so I will endure…For already have I suffered full much,and much have I toiled in perils of waves and war.Let this be added to the tale of those.”

“My personal opinion is that if someone writes honestly about war, it will inherently be anti-war.”

“Why did you do this?" He was shaking. "Just tell me why."I tried to muster up some of the righteous indignation that I'd felt on Friday night as I said, "You knocked over my gravestone!" But even to my ears the words sounded tinny and pathetic.Dan's face was pale. "It was just a gravestone, Chelsea. And it was a mistake. I told you that already, and I meant it. I've never lied to you. My God, can't you tell the difference between a gravestone and a person you love? Can't you tel which one matters?"But if I had to point to the real problem in my life, it's that I've never known the difference between a gravestone and a person I love. I have never known which is which until it's too late. "All's fair in love and war," I reminded him, aiming for Tawny's tone. But my voice came out sounding just like me."Oh, yeah? And which is this?" he asked. "Love or war?”

“It is no longer a matter of if there is a war”

“Now we have travelled a hundred million steps from the Datum, we are finding life systems entirely unlike our own - and yet we still find war. Must it always be so?”

“Let's not forget we created that ideal middle class by destroying all of our industrial competitors during World War II.”

“She fit her head under his chin, and he could feel her weight settle into him. He held her tight and words spilled out of him without prior composition. And this time he made no effort to clamp them off. He told her about the first time he had looked on the back of her neck as she sat in the church pew. Of the feeling that had never let go of him since. He talked to her of the great waste of years between then and now. A long time gone. And it was pointless, he said, to think how those years could have been put to better use, for he could hardly have put them to worse. There was no recovering them now. You could grieve endlessly for the loss of time and the damage done therein. For the dead, and for your own lost self. But what the wisdom of the ages says is that we do well not to grieve on and on. And those old ones knew a thing or two and had some truth to tell, Inman said, for you can grieve your heart out and in the end you are still where you are. All your grief hasn't changed a thing. What you have lost will not be returned to you. It will always be lost. You're left with only your scars to mark the void. All you can choose to do is go on or not. But if you go on, it's knowing you carry your scars with you. Nevertheless, over all those wasted years, he had held in his mind the wish to kiss her on the back of her neck, and now he had done it. There was a redemption of some kind, he believed, in such complete fulfillment of a desire so long deferred.”

“We knew what we had and what it meant, and though so much had happened since for both of us, there was nothing like those years in Paris, after the war. Life was painfully pure and simple and good, and I believed Ernest was his best self then. I got the very best of him. We got the best of each other.”

“He who is the author of a war lets loose the whole contagion of hell and opens a vein that bleeds a nation to death.”

“Words are weapons of war.”