Moonlight Quotes

“But if God is the flowers and the treesAnd the hills and the sun and the moonlight,Then I believe in him,Then I believe in him all the time,And my whole life is an oration and a mass,And a communion with my eyes and through my ears.”

“They both had the same calm and dreamy little cast of mind. They delighted in stories, in old Breton legends, and their favorite sport was to go and ask for them at the cottage-doors, like beggars:"Ma'am..." or, "Kind gentleman... have you a little story to tell us, please?"And it seldom happened that they did not have one "given" them; for nearly every old Breton grandame has, at least once in her life, seen the "korrigans" dance by moonlight on the heather.”

“I wondered how they would top the Pirates and skeletons and moonlight, because that's a pretty cool concept.”

“I shook with cold and fear, without being able to answer. After a lapse of some moments, I was again called. I made an effort to speak, and then felt the bandage which wrapped me from head to foot. It was my shroud. At last, I managed feebly to articulate, 'Who calls?''Tis I' said a voice.'Who art thou?''I! I! I!' was the answer; and the voice grew weaker, as if it was lost in the distance; or as if it was but the icy rustle of the trees.A third time my name sounded on my ears; but now it seemed to run from tree to tree, as if it whistled in each dead branch; so that the entire cemetery repeated it with a dull sound. Then I heard a noise of wings, as if my name, pronounced in the silence, had suddenly awakened a troop of nightbirds. My hands, as if by some mysterious power, sought my face. In silence I undid the shroud which bound me, and tried to see. It seemed as if I had awakened from a long sleep. I was cold.I then recalled the dread fear which oppressed me, and the mournful images by which I was surrounded. The trees had no longer any leaves upon them, and seemed to stretch forth their bare branches like huge spectres! A single ray of moonlight which shone forth, showed me a long row of tombs, forming an horizon around me, and seeming like the steps which might lead to Heaven. All the vague voices of the night, which seemed to preside at my awakening, were full of terror. ("The Dead Man's Story")”

“Watching 'Moonlight,' I just recognized this patience in the film - allowing moments to live and linger - and I just thought that was so beautiful.”

“I reached for her, pushing back the fall of hair-it was heavy and thick and smooth to the touch-and tilted her chin so that the moonlight shone on her wet face. We married each other that night, there on a bed of fallen pine needles-even today, the scent of pitch-pine stirs me-with Henry's distant flute for a wedding march and the arching white birch boughs for our basilica. At first, she quivered like an aspen, and I was ashamed at my lack of continence, yet I could not let go of her. I felt like Peleus on the beach, clinging to Thetis, only to find that, suddenly, it was she who held me; that same furnace in her nature that had flared up in anger blazed again, in passion.”

“Why, there's the air, the sky, the morning, the evening, moonlight, my friends, women, the beautiful architecture of Paris to study, three big books to write and all sorts of other things. Anaxagoras used to say that he was in the world in order to admire the sun. And then I have the good fortune to be able to spend my days from morning to night in the company of a man of genius - myself - and it's very pleasant.”

“Moonlight drifts from overA hundred thousand milesTo fall upon a cemeteryIt reads a hundred epitaphsAnd then smiles at a nest ofBaby owls”

“By the moonlight he watched his wife for the last time. His hand sought the adjacent flesh and sorrow paralleled desire in the immense complexity of love.”

“Nothing made by the hand of man has ever been so beautiful as starlight on the water or moonlight on the snow. And the same hand that made trees and fields and flowers, the seas and hills, the clouds and sky, has been making a home for us called heaven.”

“I just love what Nicholas Britell did with 'Moonlight.'”

“Music is the moonlight in the gloomy night of life.”

“When they reached their ship, Ed gazed out at the bay. It was black. The sky was black, but the bay was even blacker. It was a slick, oily blackness that glowed and reflected the moonlight like a black jewel. Ed saw the tiny specks of light around the edges of the bay where he knew ships must be docked, and at different points within the bay where vessels would be anchored. The lights were pale and sickly yellow when compared with the bright blue-white sparkle of the stars overhead, but the stars glinted hard as diamonds, cold as ice. Pg. 26.”

“I think of you when upon the sea the sun flings her beams.I think of you when the moonlight shines in silvery streams.I see you when upon the distant hills the dust awakes;At night when on a fragile bridge the traveler quakes.I hear you when the billows rise on high,With murmur deep.To tread the silent grove where wander I,When all's asleep.”

“I had high hopes for 'Moonlight,' just off the reaction I had while reading the script.”

“'Moonlight' isn't an issue film. It's not about addiction, it's not about sexuality, it's not about identity. It's about all these different layers, because they are all a part of the character.”

“The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.”

“They were in a long line, an endless line, and as they burst from the wood there was an instant, the smallest part of a heartbeat, when all Catelyn saw was the moonlight on the point of their lance, as if a thousand willowisps were coming down the ridge, wreathed in silver. Then she blinked, and they were only men, rushing down to kill or die.”

“His new friends did not, perhaps, realize the overpowering effect of the sudden change upon this northernbred man; the effects of the moonlight and the soft trade-wind, the life of love which surrounded him here. Love whispered to him vaguely, compellingly. It summoned him from the palm fronds, rustling dryly in the continuous breeze; love was telegraphed through the shy, bovine eyes of the brown girls in his estate-house village; love assailed him in the breath of the honey-like sweet grass, undulating all day and all night under the white moonlight of the Caribbees, pouring over him intoxicatingly through his opened jalousies as he lay, often sleepless, through long nights of spice and balm smells on his mahogany bedstead—pale grass, looking like snow under the moon.The half-formulated yearnings which these sights and sounds were begetting were quite new and fresh in his experience. Here fresh instincts, newly released, stirred, flared up, at the glare of early-afternoon sunlight, at the painful scarlet of the hibiscus blooms, the incredible indigo of the sea—all these flames of vividness through burning days, wilting into a caressing coolness, abruptly, at the fall of the brief, tropic dusk. The fundament of his crystallizing desire was for companionship in the blazing life of this place of rapid growth and early fading, where time slipped away so fast.("Sweet Grass")”

“From the vast, invisible ocean of moonlight overhead fell, here and here, a slender, broken stream that seemed to plash against the intercepting branches and trickle to earth, forming small white pools among the clumps of laurel. But these leaks were few and served only to accentuate the blackness of his environment, which his imagination found it easy to people with all manner of unfamiliar shapes, menacing, uncanny, or merely grotesque.He to whom the portentous conspiracy of night and solitude and silence in the heart of a great forest is not an unknown experience needs not to be told what another world it all is - how even the most commonplace and familiar objects take on another character. The trees group themselves differently; they draw closer together, as if in fear. The very silence has another quality than the silence of the day. And it is full of half-heard whispers, whispers that startle - ghosts of sounds long dead. There are living sounds, too, such as are never heard under other conditions: notes of strange night birds, the cries of small animals in sudden encounters with stealthy foes, or in their dreams, a rustling in the dead leaves - it may be the leap of a wood rat, it may be the footstep of a panther. What caused the breaking of that twig? What the low, alarmed twittering in that bushful of birds? There are sounds without a name, forms without substance, translations in space of objects which have not been seen to move, movements wherein nothing is observed to change its place. Ah, children of the sunlight and the gaslight, how little you know of the world in which you live! ("A Tough Tussle")”