“Does the novel have to deepen the psychology of its heroes? Certainly the modern novel does, but the ancient legends did not do the same. Oedipus' psychology was deduced by Aeschylus or Freud, but the character is simply there, fixed in a pure and terribly disquieting state.”

Italian semiotician and novelist of the late 20th century, Eco was a scholar of medieval literature and a cultural critic whose work bridged academia and fiction. He’s best known for *The Name of the Rose*, a historical mystery that blends philosophy and medieval intrigue, and for his essays on semiotics, media, and the nature of signs. His later novels, like *Foucault’s Pendulum*, explore conspiracy, knowledge, and the limits of interpretation.