A biography for Sandra Cisneroshasn’t been written yet.
“I think people should read fairy tales, because we're hungry for a mythology that will speak to our fears.”
“What's always a challenge for me is that my Spanish is not the level of my English. Nor do I read in Spanish the way I read in English.”
“I thought that strange syntax was the language of story books. I didn't realize those were poor translations... English from Edwardian times.”
“There are many Latino writers as talented as I am, but because we are published through small presses, our books don't count. We are still the illegal aliens of the literary world.”
“I was a terrible student. Still, I managed to get into college, but my daydreaming threatened to sabotage me. I used behavior modification to break the cycle. I started by setting an arbitrary time limit on studying: for every 15 minutes of study, I'd allow myself an hour of daydreaming. I set the alarm.”
“I realize that when I moved out of my father's house I shocked and frightened him because I needed a room of my own, a space of my own to reinvent myself.”
“I think that Mexican-American kids live in a global world. It's not even bi-, it's multi-. You know, for those of us who grew up with different countries on our block, different nationalities, you know, we moved into multiple worlds.”
“Once you tell a man he's pretty, there's no taking it back. They think they're pretty all the time, and I suppose, in a way, they are. It's got to do with believing it.”
“My father never wanted me to be a writer. He didn't - he came to terms with it maybe two years before he died. He wanted me to be a weather girl because when I was growing up, there were very few Latinas on television, and in the early '70s when you first started seeing Latinas on TV, they would be the weather girls.”
“I was a little press writer when the National Endowment for the Arts came to my rescue and gave me an award. I couldn't buy a light bulb. Almost more than the money, the awards are important because they show that someone believes in you.”
“I felt a failure because I couldn't sustain myself from what I earned from my writing. My day jobs were what mattered, and it was hard to even get those because universities wouldn't hire me as a real writer.”
“I spent my thirties living out of boxes and moving every six months to a year. It was my cloud period: I just wandered like a cloud for ten years, following the food supply. I was a hunter, gatherer, an academic migrant.”
“My feminism is humanism, with the weakest being those who I represent, and that includes many beings and life forms, including some men.”
“Well, I'm Buddhist, Ray, and so part of my Buddhism has allowed me to look a little more deeply at people and the events in my life that created me. And I think a lot of that Buddhism comes out in the world view in this novel.”