A biography for Rachel Morrisonhasn’t been written yet.
“Photography was a way for me to freeze time and to capture the moments that were happy and healthy. I saw a photo as a way to go back to a memory if I ever needed to.”
“I love faces that have freckles. I love faces that have wrinkles. For me, beauty is naturalism, I guess.”
“Success doesn't come overnight, especially for women.”
“I lived within walking distance of Harvard Square, and that's where I discovered my love of cinema. I saw a lot of foreign and independent films there.”
“I think Marvel's incredibly supportive of young auteurs and really let them do their thing and support their vision. They give you a sandbox to play in, but it's a pretty massive one.”
“There's something so inspiring about being in real locations, where you can feel the tactile qualities from the layer of paint that has been chipping off and the hundreds of years that have been lived in the space.”
“I came up in photography, and Dust Bowl-era photography is a lot of the reason that I got behind the camera in the first place.”
“I think 'Sound of My Voice' was the first film where suddenly I could point to something I had done that I was proud of and say, 'Look at this piece of work.' And that's probably what led to 'Fruitvale Station,' which was the real break.”
“My experience - I'll never know what happens behind closed doors or why I don't get hired for something, but I've never had an experience that made me feel any less than.”
“I love the team aspect of filmmaking.”
“Cinematography speaks to everything that women do inherently well: It's multitasking, it's empathy, and it's channeling visuals into human emotion.”
“I was probably five when I first picked up a camera. My mom had an Olympus OM-10 that she carried around to document our family photos. And I just always loved it.”
“When you're so used to operating the camera, it's an extension of your eye and your heart and your head.”
“I shot 'Fruitvale Station' on super-16, and then I shot a movie called 'The Harvest' on 35mm, and then I shot 'Little Accidents' on 2-perf 35.”
“Part of the reason why I love to operate is because I find that so much of what we do is instinctual. It's dancing with the actors and responding to their body language, and you feel what the right place for the camera is at any given moment.”
“I didn't want 'Mudbound' to feel stylized in any way.”
“For me, I just like new challenges.”
“My dad, before he passed away, never understood what I did. What I say is that I'm responsible for translating the director's vision, hopefully turning an idea into something people can connect to and relate to.”
“My mom was diagnosed with breast cancer when I was four. And she was re-diagnosed when I was seven or eight, and again when I was 13, and my dad was very unhealthy, too. I was living on the edge of mortality my entire childhood.”
“I really do believe that the experience of having a child is going to actually make me a much better cinematographer.”