A biography for Rachel Bloomhasn’t been written yet.
“I grew up in Southern California, and I particularly did not fit in. I always felt like a fish out of water in my hometown because everyone was very happy, and I was thinking about death and anxiety, and not many other people around me seemed to be thinking about that.”
“I like deconstructing things. I like cutting the legs out from under something that feels secret.”
“Everyone around me was super-cool and laid back and skinny and tan and volleyball-y, and I was just this neurotic kid who was singing 'Annie Get Your Gun.'”
“I'm married. I've been with my husband for six years. Now that I know what a healthy relationship is, I find I can write better about the unhealthiness of relationships.”
“All I listened to until age 18 growing up was musical theater. I liked the escapism of it.”
“Making a musical television show was always the ultimate dream. But I really didn't think it would ever happen. Because who's going to make a musical television show?”
“Jokes that are gratuitously offensive are synonymous with bad writing to me. I'm offended as a writer first and as a person second.”
“I really admire people who have a natural sense of style. They have a super power.”
“I'm a comedian, and I have my share of anxiety and depression; so do most of my friends. My humor tends to lie in the juxtaposition of extreme lightness - I'm a huge musical-theater fan - and extreme darkness. And so I really like playing with those because that's how I feel.”
“I was made fun of a lot in middle school. When I was in seventh grade, the popular kids paid the most popular guy to ask me out.”
“While actors are great and awesome, writers literally create new worlds from scratch. What is sexier than that? Personally, I don't know why every last person out there isn't dating a writer.”
“I lived with Ilana Glazer of 'Broad City.' She was my roommate for a year and a half. I was living with her just as she was creating and filming 'Broad City.' Both of us, and a lot of my friends, come from the Upright Citizens Brigade theater either in New York or L.A.”
“For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.”
“Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.”
“I have my own show at 28 and a Golden Globe. So, yes, I face rejection, but I've also been very fortunate and understand how fortunate I am.”
“The title 'Crazy Ex-Girlfriend' is meant to be a deconstruction of a stereotype, and the whole show is about deconstructing the boxes that we're supposed to be put into. We like taking apart the tropes and the stereotypes and explore the nuances, so 'Crazy Ex-Girlfriend' is a label that we go deep underneath to explore.”
“We're told all the time to give up everything for love. That's the Western notion of what love is - love conquers all, all you need is love. And there are so many different kinds of outside, conflicting pressures on women.”
“The definition of a musical is that the emotion is so strong that you can't talk anymore, you have to sing. The emotion isn't strong enough when you're just like, 'Let's take a second to sing about lamps!'”
“The effort of every time I put out a video, it was like, 'Okay, I've got to put it on my Facebook, I've got to put it on my website, what's the view count now? What's the view count now? What's the view count now?' You get obsessive with it.”
“When we're obsessed with someone, it's never about them. It's about us hating ourselves. And that's generally the tone of a lot of my videos, which is this desperate character who's overcompensating with being super happy. But she's broken.”