A biography for Nathan Englanderhasn’t been written yet.
“I know nobody believes in peace anymore, but what else is there to work toward? As the years have gone by, peace seems like more and more of an impossibility.”
“So many people discuss, you know, Israel/Palestine as if it's people on a spectrum.”
“I love those books and movies where someone turns because they're blackmailed or they're passed over for promotion.”
“I lived in Jerusalem with the Temple Mount as my holy site. My Palestinian neighbors lived in Al-Quds with the Haram al-Sharif.”
“Everything is so much clearer once a world is framed. Maybe it sounds crazy, but with writing, it's infinity that is limiting and the limited that allows for the truly infinite. Once all those elements are in place in a story, the brain is truly freed up to imagine without end.”
“Empathy is what obsesses me. And watching empathy recede in the world is terrifying.”
“I'd chosen to dedicate my life to writing, and I asked myself, 'if you write your whole life, and nobody ever sees a word, is it as a writer that you die?'”
“When I wrote my novel, 'The Ministry of Special Cases,' I couldn't even brush my teeth. I had to write in isolation from everything else. I thought a play would take away from my fiction, but the more projects I work on, the more time I have.”
“Every nation should wrestle with the question of what it means to defend itself, what it means to take revenge.”
“The reason people get afraid of writing real, honest journalism and fiction, and the reason corrupted people and demagogues are afraid of journalism and fiction and poetry across the world, is because it is a subversive form.”
“It's so easy to call something a Jewish story or a gay story or a woman's story. Aesthetically, if a story is not universal, it has failed. Your obligation is to the story. One rule creatively, and emotionally, is its universality.”
“There's an Armed Forces Haggadah and an Alcoholics Anonymous Haggadah and an LGBT Haggadah. Some people make a new Haggadah every year. It's a real living document... They're just constantly made throughout time.”
“As someone who spent a lot of years living in Jerusalem, one of the great perks is that when you come back, and you get into these Israel arguments in your American-Jewish clan, you can really just silence them by saying, 'I lived there.' So we used it like a bludgeon.”
“I always call myself either an optimistic pessimist or a pessimistic optimist - I'm not sure which way it goes.”
“I'd say that in place of a singular phobic-level terror, I keep a whole collection of running, yet manageable, fears.”
“There was a summer in college where I worked for a stretch picking up garbage at the beach. On the early shift, it was very meditative walking the shoreline and crisscrossing the sand, picking up the junk people had dropped or tossed or that the ocean had returned. And there was this strange fantasy element to it.”
“So writing stories is not easier in comparison to the playwriting or translation; the stories are easier in league with them.”
“I spent my whole childhood being told, 'Israel is surrounded by enemies who are trying to push it into the sea.' But can't Gaza feel the same way? Personally, I'm frozen in time.”
“I understand if everyone looking at me is seeing a Jew and seeing me as a kind of 'other.' But I can't be expected to see myself that way. That is, to me, Jewish is the normal way to be; it's not a type of being.”