Lupe Fiasco

“I was literally told for 'The Show Goes On' that I shouldn't rap too deep. I shouldn't be too lyrical. It just needs to be something easy on the eyes. Like a record company telling Picasso that we don't need these abstract interpretations of life, where people have to sit down and look at it and break it down.”

“360 deals are the new things of the industry. It's not about selling records; it's about selling T-shirts, getting a piece of your publishing, getting a piece of your touring, and all these other kind of properties.”

“I think it is important that you have people from all different vanguards, from all different walks of society and different viewpoints to be focused on the struggle for equality and democracy. We need as many champions for the cause and as many events as possible to help keep this in focus.”

“With Australian audiences, there's a certain level of education - as far as how much access and exposure they have to music from various genres. So when you do 'Big Day Out' and there are all these different musical acts, you see the same people in your crowd that were there for a completely different artist.”

“For me, I never wore my religion on my sleeve, you know what I'm saying? I never put myself out there as Lupe Fiasco, he's Muslim, he's from Chicago, he likes to ride a skateboard.”

“It was, 'If you don't do 'The Show Goes On,' your album's not coming out.' I had nothing to do with that record - nothing. I was literally told how I should rap on it. But I'm a bastard, 'cos I'll turn around and put it back in your face.”

“I can't play any instrument for the life of me, but I know what I want to hear.”

“With 'Hip-Hop Saved My Life,' I attempted to make 'Kick, Push,' but for rappers. To give a real basic play-by-play of the life of a rapper before he makes it - if he ever makes it, because you can get stuck in that and be trying to make it for the rest of your life.”

“I didn't go out shooting for anybody in particular because I shot for everybody unparticular. I make records for Muslims, Christians, rock 'n roll kids, skateboard kids.”

“We weren't raised Muslim - we were born Muslim. I didn't go to a Muslim school, but it was just the theme song. It was ambient.”

“When you start creating opinion, and you start creating difference of opinion, you're doing something. People are actually sitting down and critiquing. A lot of the stuff people hate, they really don't. They only look at the outer shell. They don't really get into it.”

“I definitely want to work with Thom Yorke. I want to work with Damien Marley; there's a few international artists I wouldn't mind working with - like Massacre Children would be ill, and I still have an affinity for the U.K. hip hop scene.”

“Reggae, oh man. It's the ultimate music. The positivity. The musicality. The whole cultural expressionism of it. The danceability. Just the cool factor. The melody factor. Some of it comes from a religious place. If there were a competition of who makes the best religious music, it would definitely be the Rastafarian reggae.”

“My whole team, it wasn't about putting the album out, it was about getting off the record company and going independent or going to another label. To the point we were like, 'Listen, just take 'Lasers.' You can have whatever percentage off the next ten records I do for the rest of my life. I just do not want to be here anymore.'”

“You know what I had a problem with? The war - the war in Afghanistan.”

“You know, my goal, once I leave the music business, is like, 'Man, Lupe didn't lead us astray.' It comes directly from Islam: leading people astray is the worst thing you could do. Especially in perpetuity; like, your music continues to go on and live without you. That risk is too great for me; I'm gonna keep it positive.”

“I do understand that America is a predominantly Christian country. A lot of morals and values are based in Christianity as opposed to Buddhism, which it's not, or Judaism, which it's not, or Islam, which it's definitely not. So I'm not going to lie to myself and just be like, 'Well you know, everybody's equal.' Because we're not.”

“Once you've been on tour six, seven years, you get an idea of what works and what doesn't work universally. There will be some crowds that we just can't play a song, but we've got 90% of a show that we know is going to be a hit with the Lupe Fiasco fan. I think the catering has already been done.”

“I look at people like Picasso and Da Vinci and Escher and Miles Davis, and they'll write or paint that one definitive masterpiece of maybe 50 that they have that's really trying to go outside the box, trying to do something that's tough. And then when you accomplish it, you look back and go, 'Yeeaaaah - masterpiece.'”

“I have yet to see someone attack Obama over his report card. A lot of people I talk to from both sides of the fence are like, 'Well, what about this economy? What about these incidents?' There are still no answers except time, but time is the answer for everything.”