Ari Aster

“My films typically veer towards the darker side, and I enjoy turning things on the audience. I really enjoy working in genre because people come into the film with certain expectations, and they know the tropes so well that when you turn on those, it can be really shocking. There's a complaisance that comes with watching those films.”

“One reason I think I am able to work with such dark material is the fact I was never really discouraged from making this kind of work.”

“Filmmaking is so much about catharsis anyway. It's therapeutic.”

“I like to play with transgression and upending conventions, and I like the idea of rooting genre films in character.”

“The beauty of the horror genre is that you can smuggle in these harder stories, and the genre comes with certain demands, but mostly you need to find the catharsis in whatever story you're telling. What may be seen as a deterrent for audiences in one genre suddenly becomes a virtue in another genre.”

“I'm very fortunate in that my parents are artists. My mom is a brilliant poet... She still is a great visual artist. My dad is a jazz drummer... I've been very fortunate in that I've had parents who supported and encouraged me and haven't really questioned what I'm doing or asked me to question it.”

“Sometimes you want pain to be acknowledged and not whitewashed - or erased by some exceptionalist point of view.”

“My first experience in a movie theater was Dick Tracy. There was a scene with a guy with a Tommy gun and a wall of fire behind him. I panicked, screamed, and jumped out of my seat. And I ran six New York city blocks, running into the street and almost got hit by a bunch of cars and had my mom chasing after a panic-stricken four-year-old.”

“The joy of making a genre film is that you have audiences in that place, and it's a perfect place to start because all it takes is finding ways to startle them out of that complacency and encourage a different kind of engagement.”

“The way I work is, I always compose a shot list before I talk to anybody, including my DP. So I'll spend a couple months basically creating the movie in my head, so I have a very solid film in my head, where I know every shot, and I know what the transitions between scenes are.”

“I found that the things I am afraid of most are things for which there are no obvious remedies. Like, what do you do with a fear of death? You either come to terms with it or you don't, but there's no solving it.”

“Jewishness is a very big part of my identity. I am a proud Jew, I would say, who doesn't practice very actively.”

“Every single moment in 'Hereditary' is linked to a moment in the end for the payoff. I think it has the ability of captivating people the same way that 'Manchester By the Sea' did. It has that audience because it's so wrapped in human drama.”

“If people felt that they were misled with 'It Comes at Night,' they should know that the marketing here is deliberately misleading you in an honest way, in that we're not hiding what isn't there: we're hiding what is there.”

“I'm very impressed by films like' Whiplash' or what Fincher does, where you get all these different... Where you get all this coverage that's perfectly linked up. I actually find coverage very confusing. But I love sequencing shots because I know exactly where I am.”

“There's been a lot of aesthetically rich horror films that have come out in the last several years. 'The Babadook' is this perfectly paced, beautiful film. 'The Witch' is a beautifully made film. 'Get Out' is so intelligently written. I feel like there's so many great things happening right now.”

“You get so lost in the making of a film, and you get so fixed on just, like, every tiny detail. If something doesn't hit the bullseye in the way you wanted, you become obsessed with that, and you get so just lost in that maze of neurotic thinking.”

“I don't necessarily consider myself a horror filmmaker.”

“The next film I'm making is a horror film, and I'm making it with A24. It's a dark break-up movie that becomes a horror film, set in Sweden. That's all I can really say now. It's called 'Midsommar.' Everybody's been spelling it wrong. It's 'midsummer' in Swedish.”

“It's easy for me to write a horror movie about real stuff because my mind is always going there anyway.”