A biography for Andrzej Wajdahasn’t been written yet.
“When a film is created, it is created in a language, which is not only about words, but also the way that very language encodes our perception of the world, our understanding of it.”
“Previously the same Polish audiences would have been pressured into seeing cinema made for adults, films made by us about those spheres of life that were significant for us and which should be significant for our society.”
“Eventually, the state's funding covered only the stages leading to presenting a film project to potential funding bodies. It was enough to produce a script, indicate casting and put together a budget to present it all, but nothing beyond that.”
“It was progressively more difficult to find work in the theatre, as well.”
“Nevertheless, in the theatre, and in the cinema, the contemporary reality of Poland has been represented only to a minuscule degree in the last 12 years.”
“לא האמנתי שאראה את היום בו ברית המועצות לא תהיה קיימת יותר.”
“ולנסה הוא הגיבור הלאומי שלנו. הוא אולי עשה שגיאות בזמן שכיהן כנשיא, אבל הוא מהאחראים להפיכתה של פולין לחופשית.”
“אני חושב שחלים שינויים מוזרים שמתרחשים בחברה ובין הפרטים שמרכיבים אותה כך למשל הגירה המונית של פולנים מאז קריסתה של חומת הברזל.”
“אני חושב שנשים הן חומר הרבה יותר מעניין לסרטים, מאשר גברים... יש להן יותר דמיון והן מצפות ליותר מהחיים. גברים יותר מציאותיים, יותר קשורים לצרכים שלהם. הם אולי יותר פרימיטיביים.”
“תמיד ראיתי בשחקנים את היוצרים של הסרט, ולא רק מבטאים רעיונות ודיאלוגים של אנשים אחרים. תמיד הקשבתי להם ורציתי לדעת מה הם מנסים לומר לי בזמן העבודה המשותפת.”
“A novelty in Polish filmmaking was that it was possible to find funds for a big production. However, at the same time, the state budget committed less and less money to filmmaking.”
“It turned out that the country was helpless in the face of a new reality.”
“Also a great part of Polish industry proved to have existed only to support the Soviet military industry, and it became superfluous and incapable of being transformed into anything else. We did not foresee that or the magnitude of these phenomena.”
“The difficulty of writing a good theatre play set in new reality was even greater given that the level of similitude to life that is allowed in a film would not work on the stage.”
“Language also encodes our past. We want to know who we are. To know who we are, we have to know who we used to be. Consequently, our literature, written in the past, anchors us in that past.”