Writing Quotes

The quiet hum of a pen on paper or the sharp sting of ink on a screen—these quotes capture the way writing both shapes and betrays the mind, turning thought into something fragile yet enduring. Here, the craft feels like both a mirror and a hammer, revealing and reshaping the world one word at a time.

27,093 QUOTES — PAGE 118 OF 1,355

“Dearest creature in creation,Study English pronunciation.I will teach you in my verseSounds like corpse, corps, horse, and worse.I will keep you, Suzy, busy,Make your head with heat grow dizzy.Tear in eye, your dress will tear.So shall I! Oh hear my prayer.Just compare heart, beard, and heard,Dies and diet, lord and word,Sword and sward, retain and Britain.(Mind the latter, how it’s written.)Now I surely will not plague youWith such words as plaque and ague.But be careful how you speak:Say break and steak, but bleak and streak;Cloven, oven, how and low,Script, receipt, show, poem, and toe.Hear me say, devoid of trickery,Daughter, laughter, and Terpsichore,Typhoid, measles, topsails, aisles,Exiles, similes, and reviles;Scholar, vicar, and cigar,Solar, mica, war and far;One, anemone, Balmoral,Kitchen, lichen, laundry, laurel;Gertrude, German, wind and mind,Scene, Melpomene, mankind.Billet does not rhyme with ballet,Bouquet, wallet, mallet, chalet.Blood and flood are not like food,Nor is mould like should and would.Viscous, viscount, load and broad,Toward, to forward, to reward.And your pronunciation’s OKWhen you correctly say croquet,Rounded, wounded, grieve and sieve,Friend and fiend, alive and live.Ivy, privy, famous; clamourAnd enamour rhyme with hammer.River, rival, tomb, bomb, comb,Doll and roll and some and home.Stranger does not rhyme with anger,Neither does devour with clangour.Souls but foul, haunt but aunt,Font, front, wont, want, grand, and grant,Shoes, goes, does. Now first say finger,And then singer, ginger, linger,Real, zeal, mauve, gauze, gouge and gauge,Marriage, foliage, mirage, and age.Query does not rhyme with very,Nor does fury sound like bury.Dost, lost, post and doth, cloth, loth.Job, nob, bosom, transom, oath.Though the differences seem little,We say actual but victual.Refer does not rhyme with deafer.Foeffer does, and zephyr, heifer.Mint, pint, senate and sedate;Dull, bull, and George ate late.Scenic, Arabic, Pacific,Science, conscience, scientific.Liberty, library, heave and heaven,Rachel, ache, moustache, eleven.We say hallowed, but allowed,People, leopard, towed, but vowed.Mark the differences, moreover,Between mover, cover, clover;Leeches, breeches, wise, precise,Chalice, but police and lice;Camel, constable, unstable,Principle, disciple, label.Petal, panel, and canal,Wait, surprise, plait, promise, pal.Worm and storm, chaise, chaos, chair,Senator, spectator, mayor.Tour, but our and succour, four.Gas, alas, and Arkansas.Sea, idea, Korea, area,Psalm, Maria, but malaria.Youth, south, southern, cleanse and clean.Doctrine, turpentine, marine.Compare alien with Italian,Dandelion and battalion.Sally with ally, yea, ye,Eye, I, ay, aye, whey, and key.Say aver, but ever, fever,Neither, leisure, skein, deceiver.Heron, granary, canary.Crevice and device and aerie.Face, but preface, not efface.Phlegm, phlegmatic, ass, glass, bass.Large, but target, gin, give, verging,Ought, out, joust and scour, scourging.Ear, but earn and wear and tearDo not rhyme with here but ere.Seven is right, but so is even,Hyphen, roughen, nephew Stephen,Monkey, donkey, Turk and jerk,Ask, grasp, wasp, and cork and work.Pronunciation (think of Psyche!)Is a paling stout and spikey?Won’t it make you lose your wits,Writing groats and saying grits?It’s a dark abyss or tunnel:Strewn with stones, stowed, solace, gunwale,Islington and Isle of Wight,Housewife, verdict and indict.Finally, which rhymes with enough,Though, through, plough, or dough, or cough?Hiccough has the sound of cup.My advice is to give up!!!”

Gerard Nolst Trenité

“Ella finds this story inside herself: A woman, loved by a man who criticizes her throughout their long relationship for being unfaithful to him and for longing for the social life which his jealousy bars her from and for being ‘a career woman’. This woman who, throughout the five years of their affair in fact never looks at another man, never goes out, and neglects her career becomes everything he has criticized her for being at that moment when he drops her. She becomes promiscuous, lives only for parties and is ruthless about her career, sacrificing her men and her friends for it. The point of the story is that this new personality has been created by him; and that everything she does — sexual acts, acts of betrayal for the sake of her career, etc., are with the revengeful thought: There, that’s what you wanted, that’s what you wanted me to be. And, meeting this man again after an interval, when her new personality is firmly established, he falls in love with her again. This is what he always wanted her to be; and the reason why he left her was in fact because she was quiet, compliant and faithful. But now, when he falls in love with her again, she rejects him and in bitter contempt: what she is now is not what she ‘really’ is. He has rejected her ‘real’ self. He has betrayed a real love and now loves a counterfeit. When she rejects him, she is preserving her real self, whom he has betrayed and rejected.Ella does not write this story. She is afraid that writing it might make it come true.”

Doris Lessing