Memory Quotes

“If Darwin's theories are true, then we have within us the physical memory of when we were fish or apes.”

“If a line of poetry strays into my memory, my skin bristles so that the razor ceases to act.”

“The mind forgets, but the heart will always remember. And what is the heart's memory but love itself?”

“You're asking yourself if you will ever get over it. - I don't believe we ever do. Getting over something implies you floated on past the pain, blew kisses, and waved goodbye while leaping to freedom. I've never been able to jump after having the contents of my heart scattered and sewn over fields that will produce memory-laden blooms. The thing is... you get through it. But the seeds have been planted. Those memories grow. And every morning I still hear: 'He loved me. He loved me not.”

“In my novels, there are twelve ancient 'memory tools,' all now lost. Each of the 'Reincarnationist' books revolves around a different tool.”

“My earliest memory is of sitting at Mum's dance school, watching her teach a ballet class.”

“I pass a construction site, abandoned for the night, and a few blocks later, the playground of the elementary school my son attended, the metal sliding board gleaming under a streetlamp and the swings stirring in the breeze. There's an energy to these autumn nights that touches something primal inside of me. Something from long ago. From my childhood in western Iowa. I think of high school football games and the stadium lights blazing down on the players. I smell ripening apples, and the sour reek of beer from keg parties in the cornfields. I feel the wind in my face as I ride in the bed of an old pickup truck down a country road at night, dust swirling in the taillights and the entire span of my life yawning out ahead o me. It's the beautiful thing about youth.There's a weightlessness that permeates everything because no damning choices have been made, no paths committed to, and the road forking out ahead is pure, unlimited potential. I love my life, but I haven't felt that lightness of being in ages. Autumn nights like this are as close as I get.”

“The future has no memory of your past or present. You are free to make it anything you choose. So make it great!”

“Perfume is the key to our memories”

“To be incapable of taking one’s enemies, one’s accidents, even one’s misdeeds seriously for very long - that is the sign of strong full natures in whom there is an excess of power to form, to mold, to recuperate and to forget. Mirabeau had no memory for insults and vile actions done to him and was unable to forgive simply because he - forgot. Such a man shakes off with a single shrug the many vermin that eat deep into others.”

“Love happens only once, what happens after that is just compromise; with your heart and with your life...”

“History is the enemy of memory.”

“We are who we are because of what we learn and what we remember.”

“And the terrible thing, the terrible thing is, but the good thing too, the saving grace, is that if something happened to one of us--excuse me for saying this--but if something happened to one of us tomorrow, I think the other one, the other person, would grieve for a while, you know, but then the surviving party would go out and love again, have someone else soon enough. All this, all of this love we're talking about, it would just be a memory. Maybe not even a memory.”

“After he left the planet with his brothers, he'd imagined he'd live out his life alone. That was until he met Annabelle. His memory lingered back to the day he stepped into her bakery. His brothers were still unpacking when he decided to take a walk into town. The first time he saw her, she was placing muffins into a customer's bag. Even with her messy hair bun and stained pink apron, she was pure perfection. His entire body warmed when he got a backside peek at her pink tank top and itty bitty jean shorts. Before he knew what was happening, he'd gone inside and sat down in the same booth he sat in now. And when she came to the table to take his order, she'd bit down on her bottom lip. He'd known then those lips would complicate his life, but he had no idea just how much.”

“Rush-hour on the A rain. A blind man staggers forth, his cane tapping lightlyown the aisle. He leans against the door,raises a violin to chin, and says I’m sorry to bother you, folks. But please. Just listen. And it kills me, the word sorry. As if something like musicshould be forgiven. He nuzzles into the wood like a lover, inhales, and at the first slow stroke, the crescendo seeps through our skin like warm water, we who have nothing but destinations, who dream of light but descend into the mouths of tunnels, searching. Beads of sweat fall from his brow, making dark roseson the instrument. His head swooning to each chord exhaled through the hollow torso. The woman beside me has put down her book, closed her eyes, the babyhas stopped crying, the cop has sat down, and I know this train is too fast for dreaming, that these iron jaws will always open to swallow a smile already lost.How insufficient the memory, to fail before death.how will hear these notes when the train slides into the yard, the lights turned out, and the songlingers with breaths rising from empty seats? I know I am too human to praise what is fading. But for now, I just want to listen as the train fillscompletely with warm water, and we are all swimming slowly toward the man with Mozart flowing from his hands. I want nothingbut to put my fingers inside his mouth, let that prayer hum through my veins. I want crawl into the hole in his violin.I want to sleep there until my flesh becomes music.”

“He cannot do anything deliberate now. The strain of his whole weight on his outstretched arms hurts too much. The pain fills him up, displaces thought, as much for him as it has for everyone else who has ever been stuck to one of these horrible contrivances, or for anyone else who dies in pain from any of the world’s grim arsenal of possibilities. And yet he goes on taking in. It is not what he does, it is what he is. He is all open door: to sorrow, suffering, guilt, despair, horror, everything that cannot be escaped, and he does not even try to escape it, he turns to meet it, and claims it all as his own. This is mine now, he is saying; and he embraces it with all that is left in him, each dark act, each dripping memory, as if it were something precious, as if it were itself the loved child tottering homeward on the road. But there is so much of it. So many injured children; so many locked rooms; so much lonely anger; so many bombs in public places; so much vicious zeal; so many bored teenagers at roadblocks; so many drunk girls at parties someone thought they could have a little fun with; so many jokes that go too far; so much ruining greed; so much sick ingenuity; so much burned skin. The world he claims, claims him. It burns and stings, it splinters and gouges, it locks him round and drags him down…All day long, the next day, the city is quiet. The air above the city lacks the usual thousand little trails of smoke from cookfires. Hymns rise from the temple. Families are indoors. The soldiers are back in barracks. The Chief Priest grows hoarse with singing. The governor plays chess with his secretary and dictates letters. The free bread the temple distributed to the poor has gone stale by midday, but tastes all right dipped in water or broth. Death has interrupted life only as much as it ever does. We die one at a time and disappear, but the life of the living continues. The earth turns. The sun makes its way towards the western horizon no slower or faster than it usually does.Early Sunday morning, one of the friends comes back with rags and a jug of water and a box of the grave spices that are supposed to cut down on the smell. She’s braced for the task. But when she comes to the grave she finds that the linen’s been thrown into the corner and the body is gone. Evidently anonymous burial isn’t quite anonymous enough, after all. She sits outside in the sun. The insects have woken up, here at the edge of the desert, and a bee is nosing about in a lily like silk thinly tucked over itself, but much more perishable. It won’t last long. She takes no notice of the feet that appear at the edge of her vision. That’s enough now, she thinks. That’s more than enough.Don’t be afraid, says Yeshua. Far more can be mended than you know.She is weeping. The executee helps her to stand up.”

“As he watched Joe stand, blazing, on the fire escape, Sammy felt an ache in his chest that turned out to be, as so often occurs when memory and desire conjoin with a transient effect of weather, the pang of creation. The desire he felt, watching Joe, was unquestionably physical, but in the sense that Sammy wanted to inhabit the body of his cousin, not possess it. It was, in part, a longing--common enough among the inventors of heroes--to be someone else; to be more than the result of two hundred regimens and scenarios and self-improvement campaigns that always ran afoul of his perennial inability to locate an actual self to be improved. Joe Kavalier had an air of competence, of faith in his own abilities, that Sammy, by means of constant effort over the whole of his life, had finally learned only to fake.”

“In the space of solitude, a writer attempts to remember how they became whom they are but nobody’s memory is up to this demanding task. No matter how much a person harrows the fertile lanes of memory, some memories are lost by the passage of time, psychological defense mechanisms screen other memories from detection, the ephemeral character of other memories are invariably to elusive to arrest with reciprocal language.”

“Dreams are memories we’ve lost to sleep.”