“If the audience is made to do not enough work, they resent it without knowing it. Too much and they get lost. There's a perfect pace to be found. And a perfect place that is different for every line of the play.”

British playwright and screenwriter of the late 20th and early 21st centuries, known for his intellectually rigorous, dialogue-driven plays that blend wit with philosophical depth. His works—like *Rosencrantz and Guildenstern Are Dead* and *Arcadia*—explore memory, time, and human perception with sharp precision and layered storytelling.