“Even in a personal sense, after all, art is an intensified life. By art one is more deeply satisfied and more rapidly used up. It engraves on the countenance of its servant the traces of imaginary and intellectual adventures, and even if he has outwardly existed in cloistral tranquility, it leads in the long term to overfastidiousness, over-refinement, nervous fatigue and overstimulation, such as can seldom result from a life of the most extravagant passions and pleasures.”

German novelist and Nobel Prize in Literature laureate

Thomas Mann was a German novelist, short story writer, essayist, social critic, and philanthropist. Active in the modern period, he won the Nobel Prize in Literature in 1929 and remains closely associated with the literary life of twentieth-century Europe. He is known for highly symbolic and ironic novels and novellas that probe the psychology of the artist and the intellectual. His work often reworks German and biblical stories, while drawing on the ideas of Goethe, Nietzsche, and Schopenhauer to examine the European and German mind.