“I just sort of take it from a character perspective, and I don't know if he was necessarily spiritual, but I do think he had hope. He was a character that was comfortable having hope in his life, and hope is faith.”

Canadian actor of the 2000s–present era, known for his versatility across indie films and blockbusters. His work spans character-driven roles in *The Notebook* and *Drive*, as well as critically acclaimed performances in *Blue Valentine* and *La La Land*.