“One difference between film noir and more straightforward crime pictures is that noir is more open to human flaws and likes to embed them in twisty plot lines.”

American film critic and journalist, 1942–2013. He became a defining voice of film criticism through his long tenure at the Chicago Sun-Times, where he championed thoughtful, accessible reviews that balanced rigor with warmth. His work extended beyond print to television, where his *Siskel & Ebert* show with Gene Siskel made film discussion a cultural touchstone.