“How can I tell a story we already know too well? Her name was Africa. His was France. He colonized her, exploited her, silenced her, and even decades after it was supposed to have ended, still acted with a high hand in resolving her affairs in places like Côte d'Ivoire, a name she had been given because of her export products, not her own identity.Her name was Asia. His was Europe. Her name was silence. His was power. Her name was poverty. His was wealth. Her name was Her, but what was hers? His name was His, and he presumed everything was his, including her, and he thought be could take her without asking and without consequences. It was a very old story, though its outcome had been changing a little in recent decades. And this time around the consequences are shaking a lot of foundations, all of which clearly needed shaking.Who would ever write a fable as obvious, as heavy-handed as the story we've been given?...His name was privilege, but hers was possibility. His was the same old story, but hers was a new one about the possibility of changing a story that remains unfinished, that includes all of us, that matters so much, that we will watch but also make and tell in the weeks, months, years, decades to come.”

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About Rebecca Solnit

American writer and activist

Rebecca Solnit is an American writer and activist. She writes about feminism, the environment, politics, place, and art. Her work ranges across essays and commentary on public life, with recurring attention to how people move through the world and how ideas shape it. She is also known for writing on land, landscape, and culture, bringing together personal observation and social critique.

More from Rebecca Solnit (189 quotes) →

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Books by Rebecca Solnit

Men Explain Things To Me

2014

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Wanderlust

2000

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Hope in the Dark

2004

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The Mother of all Questions

2017

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Whose Story Is This?

2019

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