“"Closely examining Rozanova's Suprematist period, we see that Rozanova's Suprematism is contrary to that of Kazimir Malevich, who constructs his works from a composition of quadrate forms, while Rozanova constructs hers from color. For Malevich, color exists solely to distinguish one plane from another; for Rozanova, the composition serves to reveal all the possibilities of color on a plane. In Suprematism, she offered a Suprematism of painting, not of the square [referring to Malevich].”