“When you're adapting a novel, there are always scenes taken out of the book, and no matter which scenes they are, it's always someone's favorite. As a screenwriter, you realize, 'Well, it doesn't work if you include everyone's favorite scenes.'”

British novelist and essayist, 1957–present. He blends sharp social observation with humor in works like *Fever Pitch*, a memoir about football fandom, and *High Fidelity*, a novel exploring music, relationships, and regret. His writing often captures the mundane and the emotional with wit and honesty.