“The more screenwriting you do, the more you become aware that particular scenes aren't going to end up in the movie because they're too expensive. That has perhaps changed the way I think about writing novels, actually, because now I write expensive scenes whenever I can.”

British novelist and essayist, 1957–present. He blends sharp social observation with humor in works like *Fever Pitch*, a memoir about football fandom, and *High Fidelity*, a novel exploring music, relationships, and regret. His writing often captures the mundane and the emotional with wit and honesty.