“Around three a.m. he feels a presence in the room. He sees, for the pulse of a moment, a figure at the foot of his bed, against the wall or painted onto it perhaps, not quite discernible in the darkness of foliage beyond the candlelight. He mutters something, something he had wanted to say, but there is silence and the slight brown figure, which could be just a night shadow, does not move. A poplar. A man with plumes. A swimming figure. And he would not be so lucky, he thinks, to speak to the young sapper again. He stays awake in any case this night, to see if the figure moves towards him. Ignoring the tablet that brings painlessness, he will remain awake till the light dies out and the smell of candle smoke drifts into his room and into the girl's room farther down the hall. If the figure turns around there will be paint on his back, where he slammed in grief against the mural of trees. When the candle dies out he will be able to see this. His hand reaches out slowly and touches his book and returns to his dark chest. Nothing else moves in the room. [298]”

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About Michael Ondaatje

Sri Lankan-born Canadian poet, fiction writer and essayist

Michael Ondaatje is a Sri Lankan-born Canadian poet, fiction writer, and essayist. He is known for writing across poetry, fiction, and essays, and for the distinctive place he holds in Canadian literature. His work ranges across several literary forms, with poetry at its center and fiction and essays extending his reputation. He is identified with both Sri Lankan and Canadian literary traditions, and his writing has drawn wide attention for its range and style.

More from Michael Ondaatje (75 quotes) →

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Books by Michael Ondaatje

The English Patient

1992

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Divisadero

2007

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Anil's Ghost

2001

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The Cat's Table

2011

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In the Skin of a Lion

1995

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