“…I like the word impressionistic more than experimental for some reason. I think experimental, I think of abstract language met with geometric stage gestures, while my writing tends to be worlds and people that we know and recognize, but the rules have changed on them. And on us, the audience, but the struggle is that I want the audiences to not spend time trying to figure out the rules, rather to accept them and see what it means to them as the world unfolds.”