“[On Russell Brand's performances] There was a time when he hid behind the theatricality of high camp; which, as Susan Sontag teaches us, "is a solvent of morality. It neutralises moral indignation, sponsors playfulness". Posturing as a Goth Noel Coward, he was, onstage, remarkably open about his sexual conduct. But it was hard to take seriously a man who looked like the lovechild of Lenny Kravitz and Charles Hawtrey; an explosion in a wig factory. That was his cunning. He sniffed out zones of impunity and crouched within them.”