“So much for endings. Beginnings are always more fun. True connoisseurs, however, are known to favor the stretch in between, since it's the hardest to do anything with. That's about all that can be said for plots, which anyway are just one thing after another, a what and a what and a what.”

Canadian novelist and poet of the late 20th and early 21st centuries, she is best known for her dystopian fiction, particularly *The Handmaid’s Tale*, which explores themes of oppression, resistance, and the fragility of power. Her work also spans speculative fiction, literary criticism, and environmental commentary, often blending sharp social observation with poetic precision.