“But if Crake wanted her to stay longer on any given night, do it again maybe, she'd make some excuse—jet lag, a headache, something plausible. Her inventions were seamless, she was the best poker-faced liar in the world, so there would be a kiss goodbye for stupid Crake, a smile, a wave, a closed door, and the next minute there she would be, with Jimmy.”

Canadian novelist and poet of the late 20th and early 21st centuries, she is best known for her dystopian fiction, particularly *The Handmaid’s Tale*, which explores themes of oppression, resistance, and the fragility of power. Her work also spans speculative fiction, literary criticism, and environmental commentary, often blending sharp social observation with poetic precision.