“At some indeterminate point in their life cycles, they cause themselves to be placed in artificial stone or wooden cocoons, or chrysalises. They have an idea that they will someday emerge from these in an altered state, which they symbolize with carvings of themselves with wings. However, we did not observe that any had actually done so.”

Canadian novelist and poet of the late 20th and early 21st centuries, she is best known for her dystopian fiction, particularly *The Handmaid’s Tale*, which explores themes of oppression, resistance, and the fragility of power. Her work also spans speculative fiction, literary criticism, and environmental commentary, often blending sharp social observation with poetic precision.