“Nothing ever really ends. That’s the horrible part of being in the short-story business—you have to be a real expert on ends. Nothing in real life ends. ‘Millicent at last understands.’ Nobody ever understands.”

American novelist and short story writer of the mid-to-late 20th century He blended dark humor with sharp social commentary, exploring themes of war, human suffering, and the absurdity of existence in works like *Slaughterhouse-Five* and *Cat’s Cradle*. His distinctive, conversational style made complex ideas accessible and memorable.