“...because there is nothing intelligent to say about a massacre. Everybody is supposed to be dead, to never say anything or want anything ever again. Everything is supposed to be very quiet after a massacre, and it always is, except for the birds.”

American novelist and short story writer of the mid-to-late 20th century He blended dark humor with sharp social commentary, exploring themes of war, human suffering, and the absurdity of existence in works like *Slaughterhouse-Five* and *Cat’s Cradle*. His distinctive, conversational style made complex ideas accessible and memorable.