“Blow-up [Antonioni] shows what Descartes says: our senses deceive us. However, there is no cogito in the images of this film that helps to overcome the unbearable state of doubt provoked by the ambiguity of the facts. Thomas [the young photographer of this film] cannot protect himself in any cozy subjectivity; on the contrary, it is his subjectivity that is stolen by the mysterious force of things.”