“But one morning when the model for the painting ['Nothing More / Alone'] had been ordered, the man was sitting, waiting in the studio. When Israel came in, he saw him sitting, drowsing with his hands on his knees, the figure in shade, while the light from the window [in the studio] was dominating the scene. He understood that in this way the actual mystery, the real affection of the scene, became infinitely stronger, and so he painted his work and so it remained. (translation from the original Dutch: Fons Heijnsbroek)”