“There should really not be anything gratuitous in a work of art. Sometimes what seems as if it's gratuitous may be a passage in which a character is being characterized so that the reader comes to know him or her better.”

American novelist and critic, 1938–present. She is best known for her prolific output of psychological fiction, exploring themes of isolation, trauma, and human resilience. Her work spans more than five decades, blending literary depth with unflinching social commentary.