“[the canvas..] rubbing in with a handful of straw, with a rag, a scrubbing brush, a Majorcan brush for applying white, with the hand, etc.. .. [a drawing in a] gigantic rhythm like that of a waterfall cascading down a mountainside.. ..[works based on] pure signs begun in Varensgeville and finished in Palma.. ..[with a picture ground of] blue vitriol [a pesticide] that they use for the vines and that splashes against the walls of the farmhouse.. [Miro describes his 'attacks' on the canvas].”