“I have thought a lot about the question of titles. I must confess that I find any for works that take off from an arbitrary starting point and end with something real.. ..[Miro allowed Pierre Matisse to make titles, based on the] real things.. ..[if they do] not evoke some tendency or other, something I want to avoid completely [very probably Miro meant here: the Surrealists ]. [advising Pierre Matisse; who showed then several modern European painters in New York].”