“So many directors that I admire do things in two takes, like Lumet, and then there are directors like Arthur Penn, who did 40 takes. Whatever works for you, but I like to get it, and once I’ve got it move on. I don’t keep doing it to see if anything else will come. I haven’t ever had where I’ve had so much time or money where I would have had the time to do 40 takes. (as an answer to if she has a preferance to do a minimum number of takes)”