“Pictures artists staged their own images or copied or cut out others already in existence. The viewer took them in separately, in sometimes paradoxical waves: an original image, then the manipulations of it, then the places where image and idea intersected. This created a crucial perceptual glitch that irony and understanding filled.”

American art critic and journalist, 1958–present Saltz is best known for his incisive writing on contemporary art, particularly his coverage of emerging and established artists in publications like *New York Magazine* and *Vogue*. His work bridges high and popular culture, offering sharp, accessible critiques of visual art and its broader cultural significance.