“Every movement that slays its gods creates new ones, of course. I loathe talk of the sixties and seventies being a 'Greatest Generation' of artists, but if we're going to use such idiotic appellations, let this one also be applied to the artists, curators, and gallerists who emerged in the first half of the nineties.”

American art critic and journalist, 1958–present Saltz is best known for his incisive writing on contemporary art, particularly his coverage of emerging and established artists in publications like *New York Magazine* and *Vogue*. His work bridges high and popular culture, offering sharp, accessible critiques of visual art and its broader cultural significance.