“The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and they're pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody's be different. The only thing that would be different would be you. Not that you'd be so much older or anything. It wouldn't be that, exactly. You'd just be different, that's all. You'd have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you'd have a new partner. Or you'd have a substitute taking the class, instead of Miss Aigletinger. Or you'd heard your mother and father having a terrific fight in the bathroom. Or you'd just passed by one of those puddles in the street with gasoline rainbows in them. I mean you'd be different in some way—I can't explain what I mean. And even if I could, I'm not sure I'd feel like it.”

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About J.D. Salinger

American writer

Jerome David Salinger was an American writer of the 20th century, best known for his 1951 novel The Catcher in the Rye. Born in 1919 and active for much of the mid-century, he became a private and influential literary figure. He published several short stories in Story magazine in 1940, before serving in World War II. In 1948, The New Yorker published his acclaimed story “A Perfect Day for Bananafish,” and the magazine later carried much of his work. His writing is most closely associated with fiction that captured private, unsettled lives with unusual force.

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