“I think it should be done over, Buddy. …Please make peace with your wit. It's not going to go away, Buddy. To dump it on your own advice would be as bad and unnatural as dumping your adjectives and your adverbs because Prof. B. wants you to. What does he know about it? What do you really know about your own wit?I've been sitting here tearing up notes to you. I keep starting to say things like 'This one is wonderfully constructed,' and 'The conversation between the two cops is terrific.' So I'm hedging. I'm not sure why. I started to get a little nervous right after you began to read. It sounded like the beginning of something your arch-enemy Bob B. calls a rattling good story. Don't you think he would call this a step in the right direction? Doesn't that worry you? Even what is funny about the woman on the back of the truck doesn't sound like something you think is funny. It sounds much more like something that you think is universally considered funny. I feel gypped. Does that make you mad? You can say our relatedness spoils my judgement. It worries me enough. But I'm also just a reader. Are you a writer or just a writer of rattling good stories. I mind getting a rattling good story from you.”

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About J.D. Salinger

American writer

Jerome David Salinger was an American writer of the 20th century, best known for his 1951 novel The Catcher in the Rye. Born in 1919 and active for much of the mid-century, he became a private and influential literary figure. He published several short stories in Story magazine in 1940, before serving in World War II. In 1948, The New Yorker published his acclaimed story “A Perfect Day for Bananafish,” and the magazine later carried much of his work. His writing is most closely associated with fiction that captured private, unsettled lives with unusual force.

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