“I always have the most sympathy for that painting of mine, which the other people appreciate the least. It gives me the impression of an outcast and it takes on a romantic-interesting quality. I therefore always put this work first and want to prove to everyone that he is wrong if he does not appreciate this above all my other works. It is certainly rather foolish, and I do not know, it comes from an 'esprit de contradiction' or just from pity. The bad end has something attractive, one has sympathy for it.”