“What was glimpsed in Aquarius—what was envisioned, believed in, prophesied, predicted, doubted, and forewarned—is made, in Pisces, manifest. Those solitary visions that, but a month ago, belonged only to the dreamer, will now acquire the form and substance of the real. We were of our own making, and we shall be our own end.And after Pisces? Out of the womb, the bloody birth. We do not follow: we cannot cross from last to first. Aries will not admit a collective point of view, and Taurus will not relinquish the subjective. Gemini's code is an exclusive one. Cancer seeks a source, Leo, a purpose, and Virgo, a design; but these are projects undertaken singly. Only in the zodiac's second act will we begin to show ourselves: in Libra, as a notion, in Scorpio, as a quality, and in Sagittarius, as a voice. In Capricorn we will gain memory, and in Aquarius, vision; it is only in Pisces, the last and oldest of the zodiacal signs, that we acquire a kind of selfhood, something whole. But the doubled fish of Pisces, that mirrored womb of self and self-awareness, is an ourobouros of mind—both the will of fate, and the fated will—and the house of self-undoing is a prison built by prisoners, airless, door-less, and mortared from within. These alterations come upon us irrevocably, as the hands of the clock-face come upon the hour.”

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About Eleanor Catton

New Zealand novelist and screenwriter, born in Canada

Eleanor Catton is a New Zealand novelist and screenwriter, born in Canada. She moved to New Zealand as a child and grew up in Christchurch, later studying creative writing at the International Institute of Modern Letters. Her debut novel, The Rehearsal, began as her master’s thesis and was published in 2008. Her second novel, The Luminaries, won the 2013 Booker Prize, making her the youngest winner of that prize and only the second New Zealander to receive it. The novel was later adapted as a television miniseries, with Catton writing the screenplay. In 2023, she was named to Granta’s Best of Young British Novelists list.

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