“The kind of playing that encourages me is playing that lets me in, so to speak: the pianist, by the intimacy of his or her playing, makes me feel that I would want to play that way too. The work of Dinu Lipatti, who turned out burningly pure performances of Mozart and Chopin, exudes that sense, as does the work of a relatively obscure school of British pianists—Myra Hess, Clifford Curzon, the great Solomon, and the equally fine Benno Moiseiwitsch. Today Daniel Barenbboim, Radu Lupu, and Perahia carry on in that vein.”