“In a few words she [Charlotte] touches on the key points of his [ = Alfred Wolfsohn, her former lover in Germany, she called Amadeus Daberlohn in her work] philosophies, rushing past them - Adam and Eve, Original Sin, Judaism, Christianity, The film ass a modern menas to gain insight into oneself: the voice of the infant, leading to the myth of Orpheus and Eurydice, to singing - the gold in the throat expressing the soul.”