“That’s why all of those records from high school sound so good. It’s. It that the songs were better- it’s that we were listening to them with our friends, drunk for the first time on liqueurs, touching sweaty palms, staring for hours at a poster on the wall, not grossed out by carpet or dirt or crumpled, oily bedsheets. These songs and albums were the best ones because of how huge adolescence felt then, and how nostalgia recasts it now. Nostalgia is so certain: the sense of familiarity it instills makes us feel like we know ourselves, like we’ve lived. To get a sense that we have already journeyed through something- survived it, experienced it- is often so much easier and less messy than the task of currently living though something. Though hard to grasp, nostalgia is elating to bask in- temporarily restoring color to the past. It creates a sense memory that momentarily simulates context. Nostalgia is recall without the criticism of the present day, all the good parts, memory without the pain. Finally, nostalgia asks so little of us, just to be noticed and revisited; it doesn’t require the difficult task of negotiation, the heartache and uncertainty that the present does.”

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About Carrie Brownstein

American musician, actress, writer, director and comedian

Carrie Rachel Brownstein is an American musician, actress, writer, director, and comedian. She first became known as a member of the band Excuse 17, and later as a founder of the rock trio Sleater-Kinney. Her work spans music, television, and writing, and she is known for a career that moves between performance and commentary. The available facts point to a figure whose public presence is tied above all to alternative rock, with a broader creative role across several forms of media.

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