“I paint people because figuration is a better vehicle for my ideas and is more accessible to the viewer, especially in Zimbabwe. I use my art to re-create the world on my own terms; taboos become exposed and the hidden is given prominence. In my work, women are more than just powerless beasts of burden and the male body becomes objectified for the delight of the voyeur. In this world there is no black and white but it is full of everything in between'”