Ted Gargiulo

“My new story collection won’t please everyone, nor was it meant to. Then again, not everybody lives in my world. If they did, I’d have to move out and find another world to write about.”

“Picture this broad: 22 going on 18. Half the guys in my class would have given their left testicle to date her. This cupcake is the guidance counselor the principal has assigned me. Miss Boyle is her name. We all call her “Miss Bubbly Water.” Imagine the teasing I have to endure from my friends. Not to mention what it’s like, sitting across from this Barbie Doll every Thursday afternoon, watching her cross and uncross her legs, while she’s lecturing me about—get this: “staying focused.” Right! My pants are on fire, and she’s handing me a crash course in Psych 101!”

“Procuring the house in Ballister was a desperate bid for respect, for recognition, the ultimate gesture (or sacrifice, as it turned out) that would prove him a worthy successor to the Flo and Walter Prices of the world. To my mind, the Culver was Norm’s way home, the only way he knew. It was an ever-evolving means to an ever-evolving end that eventually ended him. Who or what led Norm down that thorny path—devotion, economic pressures, family cynicism, Beth’s insatiable appetite—has been a topic of endless debate. You can believe what you want to believe. Personally, I don’t think any rational argument under the sun would have deterred Beth’s “messiah” from his mission. If the Ballister acquisition was Norm’s cross, as everyone seems to think it was, then it was Norm who chose to bear that cross. And pride that nailed him to it.”

“Ah, dear Reader, is there a married man living who hasn’t purged his drawers and closets of premarital memorabilia, only to have one more incriminating relic from yester-life rear its lovely head? Kristy contends that old flames never die, not completely. They smolder for years in hidden places. They flare up again just when you think you’re over them. They can burn you if you don’t deal with them. Such is the price I’ve had to pay for not rooting out the evidence of my life B.C. (Before Contentment). Or, perhaps, for having planted it too well. But that, you see, is no longer an issue. Shall I tell you the crux of this argument? A man with a past can be forgiven. A man without one cannot be trusted. If there were no pictures in my drawer for Kirsty to uncover, I would have had to produce some.”