A biography for Stewart Leehasn’t been written yet.
“I grew up in Solihull, on the edge of what was then the Birmingham conurbation. It was a good place to write comedy from. I didn't feel allegiance to anything. I didn't have working-class pride or upper-class superiority.”
“Things that I do tend not to work out commercially.”
“I'm very grateful to my adoptive family. My mother sorted my life out.”
“I don't mind causing offence when I intend to, but I don't like causing it accidentally.”
“The idea of what's acceptable and what's shocking, that's where I investigate. I mean, you can't be on 'Top Gear,' where your only argument is that it's all just a joke and anyone who takes offence is an example of political correctness gone mad, and then not accept the counterbalance to that.”
“The only reason I look back is to check if I've been doing something wrong. I look at things from even three years ago and think, 'I wouldn't do that now.' Your life changes.”
“It's interesting to me that apparently distasteful comments from the Right against weak targets tend to draw a lot less media fire than apparently distasteful comments from the Left against hard targets. That's one of the threads that runs through the show and that people hopefully pick up on.”
“Did you slip in some cheese? Did it make you hate cheese, which you had previously loved? Why not sue a cheese-maker? Sue him for all the cheese he's got, drive him out of the cheese-making business!Did you burn your face with an iron? Why not sue Prometheus, the god that invented fire? Or an Iron Age chieftain, for having the temerity to popularise the metal.”
“In places like Glasgow and Newcastle, audiences have a tradition of being amusingly combative. But they're not trying to ruin the act, they're trying to give you a challenge. It's like a cat playing with a mouse - the cat doesn't want the mouse to die, it wants to keep it alive for its own amusement and to be entertained by its struggle.”
“Stand-up is more of an organic process. An imagined dialogue with the audience.”
“Normally, when I write a tour show, it's got a title that means something - a beginning, a middle and an end - and some kind of storyline and ideas going through it over two hours.”
“I'm in this for the long haul, I want to be doing this until I die. I am a standup comedian. I know a lot of people say I'm not, but I am.”
“I work a lot of things out on stage nowadays rather than writing them in big blocks.”
“For other comics, it's about full-spectrum dominance, being on panel shows and having one-liners and being a good chat show guest and having a good seven minutes you can do on 'Live At The Apollo.' But I really think about these subsequent finished pieces, you know? And they don't always chop up well into one-liners and routines.”
“I thought it would be a funny concept to publish a book about stand-up comedy with Faber, the poetry publisher, and to apply to stand-up the same sort of weight of annotation that you would to a classic work of literature, an epic poem. I thought that would be funny.”
“Lots of stand-up showcases on TV are made by production companies that also represent acts as clients, so there tends to be a demonstrable bias towards a certain group of people.”
“Nothing is too controversial, but you have to think about how to do it with sensitivity. I don't try to be insensitive. I think really, really carefully about exactly what things mean and how they will affect people.”
“I don't know where the ideas come from, and it's terrifying. They seem to be absolute flukes. When I was in my 20s, I'd walk around with a notebook all the time and make sure I wrote down anything that occurred to me. Now I'm just hoping that some sort of event will descend on me.”
“If a gig goes badly, my main worry is, 'Will these people come back?' Because that will affect my ability to pay the mortgage - but nowadays, I don't really mind what happens, as I think if it all goes wrong for real, you still have to go with it.”
“The me you see on stage is largely a construct, based on me at my worst, my most annoying, my most petty, and my most patronizing.”