Steven Erikson

“Destiny is a lie. Destiny is justification for atrocity. It is the means by which murderers armour themselves against reprimand. It is a word intended to stand in place of ethics, denying all moral context.”

“The Wickans know that the gift of power is never free. They know enough not to envy the chosen among them, for power is never a game, nor are glittering standards raised to glory and wealth. They disguise nothing in trappings, and so we all see what we'd rather not, that power is cruel, hard as iron and bone, and thrives on destruction. ~ Deadhouse Gates”

“The closest I ever got to Dragonlance and Forgotten Realms was when I bought the box game set for the latter (I think this was before the novels came out). I well recall this—we were living in James Bay, in Victoria. We opened the box up and took out the maps while sitting in a Mexican restaurant. Ten minutes later I was as close as I have ever been to publicly burning someone else’s creation…What bothered us was the reworking of every fantasy cliché imaginable, all in one package now, and none of it made sense.”

“In my dreams I come face to face with myriad reflections of myself, all unknown and passing strange. They speak unending in languages not my own and walk with companions I have never met, in places my steps have never gone. In my dreams I walk worlds where forests crowd my knees and half the sky is walled ice. Dun herds flow like mud, vast floods tusked and horned surging over the plain, and lo, they are my memories, the migrations of my soul.”

“We humans do not understand compassion. In each moment of our lives, we betray it. Aye, we know of its worth, yet in knowing we then attach to it a value, we guard the giving of it, believing it must be earned, T’lan Imass. Compassion is priceless in the truest sense of the wold. It must be given freely. In abundance.”

“Captain! You can't hold them off! I tried! I swear! They've been artificially enhanced, sir! But all the humans died out - there's bones out there by the millions! They were all suffocated by cuteness! The World is full of kiitens, oh the horror!'My God,' Hadrian said. "They've finally did it! All those oh-so-cute-my-cuddy-kittens-here's-a-pic bastards! They finally went and did it!”

“A civilization can easily drown in what it knows as in what doesn't know. Consider,' he continued, Gotho's Folly. Gotho's curse was in being too aware - of everything. Every permutation, every potential. Enough to poison every scan he cast on the world. It availed him naught, and worse, he was aware of even that.”

“For we are all bound in stories, and as the years pile up they turn to stone, layer upon layer, building our lives.”

“the siren song/called silence”

“For Hood's sake,' the foreigner muttered. 'What's wrong with words?' 'With words,' said Redmask, turning away, 'meanings change.' 'Well,' Anaster Toc said, following as Redmask made his way back to his army's camp,.. 'that is precisely the point. That's their value - their ability to adapt -' 'Grow corrupt, you mean. The Letheri are masters at corrupting words, their meanings. They call war peace, they call tyranny liberty. On which side of the shadow you stand decides a word's meaning. Words are the weapons used by those who see others with contempt. A contempt which only deepens when they how those others are deceived and made into fools because they choose to believe. Because in their naivety they thought the meaning of a word was fixed, immune to abuse.”

“It's our nature, isn't it? Again and again, we cling to the foolish belief taht simple solutions exist”

“The idea that an author can extricate her or his own ongoing life experience from the tale being written is a conceit of very little worth.”

“I've spoken often of how the fantasy genre is able to, with the greatest freedom among all the genres, take a metaphor and make it real. But of course that's only the starting point.”

“I have seen the face of sorrowShe looks away in the distanceAcross all these bridgesFrom whence I cameAnd those spans, trussed and archedHold up our lives as we go back againTo how we thought thenTo how we thought we thought thenI have seen sorrow's face,But she is ever turned awayAnd her words leave me blindHer eyes make me muteI do not understand what she says to meI do not know if to obeyOr attempt a flood of tearsI have seen her faceShe does not speakShe does not weepShe does not know meFor I am but a stone fitted in placeOn the bridge where she walksLay of the BridgeburnersToc the Younger”

“But Hood was not yet done with her. He swung her up again, spun and once more hammered her onto the stone. 'I have had,' the Jaghut roared, and into the air she went again, and down once more, 'enough' - with a sob the crushed, broken body was yanked from the ground again - 'of- 'your- justice!”

“...so you have found me and would know the tale. When a poet speaks of truth to another poet, waht hope has truth? Let me ask this, then. DOes one find memory in invention? Or will you find invention in memory? Wich bows in servitude befor the other? Will the measure of greatness be weighed solely in details? Perhaps so, if details make up the full weft of the world, if themes are nothing more than the coomposite of lists perfectly ordered and unerring rendered; and if I should kneel before invention, as if it were memory made perfect.”

“With the Black Company series Glen Cook single-handedly changed the face of fantasy—something a lot of people didn’t notice and maybe still don’t. He brought the story down to a human level, dispensing with the cliché archetypes of princes, kings, and evil sorcerers. Reading his stuff was like reading Vietnam War fiction on peyote.”