Stacy Schiff

“I checked to see if there'd been a really good book published in the last few decades. Then I started with what Cleopatra would have read, asking myself, 'What can we know about her education?' It turns out to be a very great deal, and bizarrely, no one had written about that before.”

“My next book is on the Salem witch trials. As a small-town Massachusetts girl, this makes me very happy. So does the reunion with documents!”

“I wouldn't dare to speculate as to Cleopatra's falling in love. Her relationships are too convenient for that.”

“How does a woman in authority convey that authority? Is it possible for a woman to rule without sounding shrill? Is it possible for a woman to manage without manipulating? All of these things seem to me to be very much at the fore today, and were no less the case 2,000 years ago.”

“Reality does not easily give up meaning; it's the biographer's job to clobber it into submission. You're meant not only to tame it but to extract substance, to identify cause and axiomatic effect. You subsist on the tactical omissions, the hollow words, the oddly unconnected dots.”

“You have to scuba dive in the Alexandrian harbor if you want to see what remains of the lighthouse of Cleopatra's day, and the water in the Alexandrian harbor is not really something you want to come into contact with.”

“We have believed in any number of things - the tooth fairy, cold fusion, and benefits of smoking, the free lunch - that turn out not to exist. We all subscribe to preposterous beliefs; we just don't know yet which ones they are.”

“Confronted afterward, she claimed no knowledge of that bedroom tryst; she did not intend to be held responsible for men's dreams.”

“Véra assumed her married name almost as a stage name; rarely has matrimony so much represented a profession. It was one of the ironies of the life that – born at a time and place where women could and did lay claim to all kinds of ambitions – she should elevate the role of wife to a high art. […] Traditionally, a man changes his name and braces himself for fame; a woman changes hers and passes into oblivion. This was not to be Véra’s case, although she did gather her married name around her like a cloak, which she occasionally opened to startling effect. She would never be forced to make a woman’s historic choice between love and work. Nor would Verochka, as Vladimir called her, squander any of her professional training, though as it happened her husband would be the direct (and sole) beneficiary of that expertise.”

“The interesting thing about Cleopatra is that she is such a shape-shifter. I mean through history we've all molded her to our times and our places. So there's room for a movie for her, but I don't think it will hew to the book.”

“And in the absence of facts, myth rushes in, the kudzu of history.”

“I think with every book you realize you are partway through and there is something really elementary that you should have researched.”

“An interesting thing about book groups, it seems to me, is that there is no correlation between a brilliant book and a brilliant discussion. The first seems sometimes even to undermine the second.”

“I don't think there is ever objective biography. Our vision of our subject is always shaped by who we are. So I do, of course, think the biographer's view is always something to keep in mind.”

“By the time Florence Nightingale got her neurotic hands on Cleopatra, she had been mangled beyond recognition by both history and literature.”

“We're talking about, essentially, the Roman historians, who wrote Cleopatra into the story mostly so that they could talk about the rise of Rome. And that is one of the problems, of course, in recounting her life. She's only ever apparent to us when there is a Roman in the room, or when her story intersects with the rise of Rome.”

“Women enjoyed rights in Egypt they would not again enjoy for more than 2,000 years. They owned ships, ran vineyards, filed lawsuits, practiced medicine. Their husbands supported them after divorce. Their power was unprecedented.”

“For a few thousand years, women had no history. Marriage was our calling, and meekness our virtue. Over the last century, in stuttering succession, we have gained a voice, a vote, a room, a playing field of our own. Decorously or defiantly, we now approach what surely qualifies as the final frontier.”

“What we know about Cleopatra's looks is based purely on her coin portraits. Engraving was imperfect, and that when you are a ruler and you ask for a coin to be engraved with your likeness on it, you are probably trying to project a certain air of authority.”

“No one sits on the stoop when she's a kid and thinks, 'I want to be a biographer when I grow up.'”