Seth

“I think obviously there's a core of who you are, and as you get older, you become more aware of what behavior is immutable. For a long time, I felt there was a deep separation between the person I was as a teenager and the person I was in my 20s and early 30s .”

“People claim that love is the deepest feeling, but don't you believe it. Loneliness is the most affecting of human emotions. Nothing makes life more vivid. If you wish to live in the moment, I recommend intense loneliness.”

“I came to the big city and I started to get involved in the punk scene and stuff, and I wanted to sort of brand myself. I made a pretty conscious effort to be a different type of person.”

“Comics are given serious attention now and I'm quite surprised. You see them reviewed in major newspapers and exhibited in serious museums. I wouldn't have predicted it.”

“I've certainly seen a lot of my cartoonist friends embrace 'Little Lulu' in a much deeper way because their kids love it so much. But that's not gonna be happening for me. There are no kids coming.”

“I don't think it's a coincidence that comic books appeal so strongly to children. Not that it negates any of their power for adults, but there is something about comics that makes them a perfect storytelling system for children.”

“As I get older and I see all my friends starting to have children, I see them have different reactions to the material that was probably not of great interest to them when they were younger, because they're re-experiencing it through their kids.”

“You look at most artists, the arc of their career, there's a definite decline at the end. And that decline could set in at any time. In your 50s, or your 60s and 70s if you're lucky. Time goes by fast, and you've got to be busy all the time.”

“When I started out in the eighties, the idea of creating serious comics for adults was pretty laughable to most folks, and for the longest time it was hard to even explain what alternative comics or graphic novels were. Nobody seemed to understand or care. Not so, any longer.”

“For me, the very last great strip is 'Peanuts.' After 'Peanuts,' there are a very few strips that I enjoyed for different reasons, but I don't think they were great. I don't think anything's come along since Charles Schulz - and I mean since 1950 - that I think rises above the professional or the eccentric into that realm of greatness.”